But blurry as it may be, it is nevertheless unmistakable, and sometimes the laughter I hear makes me wince.

Als die er ooit komt tenminste. I suppose you could call it a political statement. Do you want to go get some ice cream? '. 'Van zodra mijn naam opduikt, verwachten mensen zich aan freakshow vol gedegenereerde gekken. I mean obviously I know that this is not going to make 100 million dollars, I don’t have this ambition, but I do have the ambition of making the movie, which is the greatest feat of optimism next to marriage, that I think exists. All I mean is, I’m not the kind of audience comedy directors want at a test screening because I seldom laugh, and if I do, it’s not very loud. And basically you’re the same. Do you remember that time we were leaving Pastis and we passed that table full of drunks and they all started pointing and screaming at you, “Buddy Holly! TS: Well, I certainly admire Fassbinder and I particularly love Ali: Fear Eats the Soul, but I can’t really say he’s been an important influence. P.F: What was the decision behind you deciding to cast more than one actress to play that – or was that something you always had in mind?

9/11 en de Irak-oorlog hebben ook op mijn personages een diepe impact gehad, zoals op alle Amerikanen trouwens. Drew was very excited about the notion of working with me, and she in fact approached me. ", "It's certainly not fun," he continues, "so [I question] what is it that pulls me to pursue this story, and sometimes I find myself not choosing the story, but the story choosing me. “Two dead tourists found under the Whatever-it-is Bridge….”, II. And though I’ve been accused of purposely choosing certain subjects precisely in order to shock and provoke extreme responses as a calculated way of getting attention, this is simply false. For example, with Happiness, one thing I had in mind was the character of Uncle Charlie in Shadow of a Doubt. TS: No, I didn’t like it. SN: But in fact, you’ve always wanted to make people laugh, right? And I think it’s too easy. There is a kind of universality here, that on some emotional level that we can connect to this poor girl's plight. That need is still in her, and is somewhat defining of her identity. Perfect strangers have always felt free to say things to me in the street, or shout things from passing cars. No. That makes me want to ask: Is what I see on screen in some way more Todd Solondz than the person walking beside me now?

Solondz: (knikt) Ze zou een cameo krijgen als jetsetqueen maar uiteindelijk is het er niet van gekomen. I would hate that. TS: Well, needless to say, I would have preferred the scene to be shown untouched.

It was also included in the Toronto International Film Festival and the New York Film Festival. If I wanted to I could read it as, “You’re no sexual threat, sweetie.”. I mean, there are many other directors who are probably both more skilled and excited to adapt novels or work within certain genre conventions. I’d say the one thing I have to say about Bush’s re-election, is I think it’s good for my movie…(Laughter). I see Palindromes as my saddest film to date, and I see it also as my tenderest film.

How can that make you angry?

De hamvraag blijft: waarom een sequel? Vandaar dat ik per sé met andere acteurs wilde werken. Several actors have said to me, “I’m so glad to have a director who talks to me.”. Solondz: Nee. However, the film also won considerable acclaim, premiering at the 1998 Cannes Festival to a positive reception and going on to establish Solondz further as one of the most original and provocative directors of his era. “We have a ‘manny,’ which people find a little odd. I had a meeting with Drew Barrymore and we…, Solondz: No, no, but the problem is, is that if I had done Charlie’s Angels instead of $300 million it would have made $3 million. P.F: Is what we see in your work reflective of your own sense of humour? The bleak, unforgiving, and perversely hilarious tale of pubescent outcast Dawn "Wienerdog" Wiener (played expertly by Heather Matarazzo) was first shown at the Toronto Film Festival (after being rejected from several other prominent festivals), and then at the Sundance Film Festival, where it was awarded the festival’s Grand Prize in 1996. Solondz: Iowa… I would be very curious, because it’s a very ambiguous film. TS: You’re right. Solondz: Dat is een kruis dat ik nu eenmaal moet dragen. But I know I’m extreme. For Todd Solondz, the answer is somewhat different: “I'm the author of the only studio movie ever to be released with a big red box in it. It marks the stage debut of Todd Solondz, the 59-year-old film-maker who has for more than 20 years been the barbed laureate of US indie cinema. Of course I know there is this dark, pessimistic, closed side to you.

"And I wondered what is it that makes someone perfect for such an atrocity as this, because I think it's a profoundly human thing to feel that one at heart is a good person, and I think everyone thinks they're fighting the good fight, even though people may not agree which is the good fight. I'll be lucky if I can make another one.

Oorspronkelijk zou de film Forgiveness heten maar uiteindelijk hebben we voor Life During Wartime geopteerd. I mean, what subject do you see in any of my movies that isn't on TV any day of the week? Zou je nu nog een film als Happiness kunnen maken waarin met zoveel empathie naar een pedofiel wordt gekeken? You need to get screens. SN: OK. My point is, there’s every reason to believe Palindromes will give as much if not more trouble to pro-choicers than to pro-lifers. His 1998 film Happiness is one of my favorite movies, so he’s talking about people like me. People say, “You don’t share enough, you should open up more, and You’re a hard nut to crack.” But you know, the times I have opened up. De film heeft ook een meer politieke ondertoon, of niet? I often feel when I’m with you as if. Wat ze zelf ook mogen beweren.

Ik ben vijftig geworden en blij met de carrière die ik heb. The idea that people would be going to a movie because of what I said about it. Wel door Ciaran Hinds - oftewel Julius Caesar uit de sandalenserie Rome. Is het een postmodern afleidingsmanoeuvre van een independentauteur die het cultsucces van Happiness al jaren achterna hinkt? You’re still a solitary and, for all your success, unspoiled. TS: Yes. SN: And I just read somewhere that Marlon Brando felt that way about being an actor: embarrassed and ashamed.

That can be a good thing. SN: Much will be made about the roles played by the children with disabilities, especially about their pro-life Christian rock performances. Had ik dezelfde acteurs gecast dan had de film onvermijdelijk ook over ouder worden en sterfelijkheid gegaan, maar dat was niet de bedoeling. I mean, when I go to the Korean grocer, I ask for a paper bag instead of plastic so it won’t be known to the world what I bought. TS: May I begin by saying Palindromes is not about the issue of abortion or any other issue. TS: You have no idea how moved I was when we were doing those scenes. I think the film in substance reflects that polarisation of a girl suspended just between a pro-choice family that gives no choice and a pro-life family that kills. And that’s just what I’m saying. En laf bovendien. "You might be casting a movie and there might be three actors each with a particular quality that you might like, but you wish it could all be one person. Let’s walk down there. And Huckleberry Finn. "It's probably always been a fantasy of mine to be able to cast multiple actors in a single part," Solondz explains. It was too familiar, and in a way you could say it was also emasculating. Maar dan gespeeld door andere acteurs.

With Storytelling, at least, it’s explicit: this is what the censors say American citizens, no matter what age, are not permitted to see, even though it can be seen by other people all over the world. Wie met kinderen flikflooit, is gestoord en hoort in een instelling thuis. Kat Phan talks to cult film director Todd Solondz about his latest bittersweet comedy, starring Jordan Gelber and Selma Blair as dysfunctional thirtysomethings Courtesy of Axiom Films International Ltd Ik hou wel van verhalen verzinnen maar die ook effectief op beeld krijgen is zwaar en deprimerend.

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